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It’s no secret, the creation and distribution of music today can be done one hundred percent from home — and the means to do so is fairly accessible.

However, this isn’t to say that DIY is necessarily the best way to go.

It can be difficult navigating a musical production, so hopefully this article will offer some insights.

Goig Pro


  1. Specialists: Pros are pros for a reason. What you may be doing for the tenth time, the pro is doing for the seven hundredth time. Pros have the understanding that only years of focused dedication can grant — whether that be in song writing, production, mixing, mastering, editing, or an instrument.
  2. Equipment: Pros not only have the know-how, but they generally also have the tools dedicated to their craft. What you spent on your whole setup, the pro may have very well spent on a single microphone.
  3. Cohesion: Music is one field where the whole can exceed the sum of it’s parts. Something special happens when you put a dedicated producer, a dedicated tracking engineer, and seasoned instrumentalists in a room together. They take things further than what they could have been.
  4. Perspective: It’s nice to get an outsider’s perspective on your project. If you’re involved in multiple parts of the process such as performing and recording, it can become tiresome and uninspiring to also mix and master. Sometimes an outsiders perspective is just what you need.
  5. Network: Professionals usually know a number of people — label A&Rs, managers, other film and music artists. While working through a professional shouldn’t be used as a crutch to get established — it’s another networking outlet.


  1. Money: Professionals aren’t cheap.
  2. Let Downs: Not all pros are necessarily good, and sometimes being good for one project might not mean being good for another. In fact, choosing the right professionals can be so cumbersome you may need to hire a professional at doing that (they’re called A&Rs)! Regardless, finding the right people can be tough.



  1. Money: It’s cheaper to buy the equipment and do it yourself. $1,500 will get you 2 or 3 days in a pro studio, or it will get you a decent home studio setup. More so, there’s very little pressure in doing a hundred takes in your bedroom, whereas a hundred takes in the studio may come to a sizable bill.
  2. Whenever: In the DIY format you can get things down whenever the moment of inspiration strikes — and sometimes that can be a vital part of a successful project.
  3. Personal Development: DIY time means growing as an artist within humble means. Performing for a record is different than performing live, and doing your own recordings means getting better at being recorded.


  1. No Hindsight: One of the major advantages to hiring on a pro is that their hindsight would be your foresight. There are many chances to ruin a great song in the production process, and the DIY guy is likely to run head first into almost all of them.
  2. Self-Contained: Mixing your own production is very much like chasing your own tail. It leads to constant doubt, always second guessing where things should be and how it should sound. This happens whenever two or more separate tasks are performed by the same person (generally).
  3. It still ain’t free: Good home studio equipment can be very costly, with a decent setup still ranging from $1500-$5000 for a start up.

While it’s true that some great DIY music has come out, I still find the best works come from a collaborative effort involving dedicated professionals. Ultimately, there can’t be any weak links in the chain – so being honest about your own strengths and weaknesses may be helpful.

A Pitfall of Pro:

Stretching your money too thin.


I hear people all the time trying to get a full LP produced for under $3,000. While that can go a long way, ultimately the results will be middle of the road.

It’s better to concentrate limited funds into a shorter project. A couple of singles, excellently produced, will go further than a full length project stretched thin — though a full length project may feel more satisfying.

A Pitfall of DIY:

DIY means “Do It Yourself”, but a lot of people mistake that for “Do It Alone.”

Even if it’s only your buddies next door, put together a team of sorts and hash out your ideas.

Matthew Weiss

Matthew Weiss

Matthew Weiss is the recordist and mixer for multi-platinum artist Akon, and boasts a Grammy nomination for Jazz & Spellemann Award for Best Rock album. Matthew has mixed for a host of star musicians including Akon, SisQo, Ozuna, Sonny Digital, Uri Caine, Dizzee Rascal, Arrested Development and 9th Wonder. Get in touch:

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