The Basics of Frame Rates in Audio Post Production
47 Glitch-Inducing Plugins & the Search for Error
4 Tips For Doubling Instruments (+ 3 Pitfalls To Avoid)
5 Ways to Create New & Unique Sounds for Your Productions
The Basics of Step Sequencing (+ 9 Great Step Sequencers)
5 Common Drum Programming Mistakes
4 Ways to Use Silence to Enhance Your Productions
Percussion: The Unsung Hero Of Groove
6 Great Vocoder Plugins (+ What is a Vocoder)
Review: LYRA-8 & the PIPE by SOMA Laboratories (+ Interview)
The Complete Guide to Choosing a MIDI Controller
13 Plugins for Getting an 80s Vibe (+ Production & Mix Tips)
How to Mix Reggaeton
Orchestrating Synths: Layering, Stacking and Blending
Review: PLUS and PLASMA Pedals by Gamechanger Audio
The Fundamentals of Designing Sound to Picture
The Fundamentals of Physical Modeling Synthesis
The Fundamentals of Phase Distortion Synthesis
The Anatomy of Mick Ronson’s Guitar Tone
Synth Expo LA 2018 (+ Interview with Paolo De Gregorio)
10 Great Brass Sample Libraries
Tips for Creatively Using Auto-Tune on Vocals
The Fundamentals of Subtractive Synthesis
11 Free Synth Plugins for Your Collection
The Fundamentals of AM Synthesis
8 Tips for Building Synth Sounds from Scratch
18 Synth Parameters That Are Often Misunderstood
Factorsynth: A New Max for Live Device by JJ Burred
The Complete Guide to Vocal Production
12 Sampling Instruments That Morph and Layer Multiple Sources
DAW Guide: Which Digital Audio Workstation Should You Choose?
18 Awesome Guitar Amp Simulator Plugins
4 Effective Ways to Use Tension in Your Productions
How to Make Your MIDI Sound Less like MIDI
Why Ableton Live is a Superior DAW for Music Production
Interview with Emmy-Winning Sound Effects Editor Dan Kenyon
5 Easy Steps for Getting a Monster Guitar Sound
8 Great String Libraries for Your Sample Collection
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