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Latest Posts from Philip Mantione
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8 Favorite iZotope Plugins
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6 Great Vocoder Plugins (+ What is a Vocoder)
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Review: LYRA-8 & the PIPE by SOMA Laboratories (+ Interview)
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6 Earplugs for Musicians, Engineers and Concert-Goers
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The Complete Guide to Choosing a MIDI Controller
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Review: Sensel Morph
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15 Awesome Transient Designer Plugins
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Review: smart:EQ 2 by Sonible
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Review: TTAP and WOV — New Plugins by K-Devices
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Orchestrating Synths: Layering, Stacking and Blending
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Review: Studio Orchestra Series by Spitfire Audio
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Review: PLUS and PLASMA Pedals by Gamechanger Audio
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The Fundamentals of Physical Modeling Synthesis
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The Fundamentals of Phase Distortion Synthesis
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Review: The Snapin Eco-System by Kilohearts
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Review: Helix Guitar Processor by Line 6
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Synth Expo LA 2018 (+ Interview with Paolo De Gregorio)
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Review: XOSPHERE 2 by Sample Logic
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Review: Pyramid mk2 Sequencer by Squarp
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10 Great Brass Sample Libraries
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Review: eXplorer5 by Rob Papen
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Review: 90’s Retro Trumpets by Cinesamples
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The Fundamentals of Subtractive Synthesis
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Review: Eventide SP2016 Reverb Plugin
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Review: RX7 by iZotope
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The Fundamentals of AM Synthesis
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Interview with Veteran Sound Designer: Seph Lawrence
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Review: FORZO Modern Brass from Heavyocity
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Review: British Drama Toolkit by Spitfire Audio
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8 Tips for Building Synth Sounds from Scratch
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18 Synth Parameters That Are Often Misunderstood
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Review: Elevate by Newfangled Audio
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Review: Zebra 2.8 — The Workhorse Synth from u-he
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Factorsynth: A New Max for Live Device by JJ Burred
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Review: Arpology Cinematic Dimensions by Sample Logic
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10 Ways to Affect the Frequency Spectrum Without Traditional EQ
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12 Sampling Instruments That Morph and Layer Multiple Sources
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9 Unusual MIDI Controllers for Music Production
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