Latest Posts from Philip Mantione
Interview with Veteran Sound Designer: Seph Lawrence
Review: FORZO Modern Brass from Heavyocity
Review: British Drama Toolkit by Spitfire Audio
8 Tips for Building Synth Sounds from Scratch
18 Synth Parameters That Are Often Misunderstood
Review: Elevate by Newfangled Audio
Review: Zebra 2.8 — The Workhorse Synth from u-he
Factorsynth: A New Max for Live Device by JJ Burred
Review: Arpology Cinematic Dimensions by Sample Logic
10 Ways to Affect the Frequency Spectrum Without Traditional EQ
12 Sampling Instruments That Morph and Layer Multiple Sources
8 Unusual MIDI Controllers for Music Production
Review: Spitfire Solo Strings (+ Experiments with Labs)
Review: TRAVELER — a Doppler Effect by TONSTURM
The Fundamentals of Amplitude and Loudness
New Plugins from Isotonik Studios & Glitchmachines
MPE: The New MIDI Protocol and the Roli BLOCK
Review: Spitfire Chamber Strings
Orb Composer by Hexachords: Composing with AI [Review]
11 Tips for a Successful Career in the Music Industry
String Articulations: Terminology and Effects
8 Great String Libraries for Your Sample Collection
How to Record Tempo Changes On-The-Fly in Logic Pro
12 Awesome Sound Design Tools for Music Production
Review: Master Sessions Suite by Heavyocity
Review: Collision FX by Sound Yeti
Review: Vital Series: Sticks and Mallets by Vir2
Ableton Live 10 — What’s New?
/> 
/> 
/> 
/> 
/> 
/> 
/> 
/> 
/>