Compression
How to Parallel Compress EVERYTHING
UAD Empirical Labs EL8 Distressor on Drums, Bass, Vocals & More
Using Compression for Spatial Clarity + Mix Buss Compression for Intimacy
What is Gain Reduction?
Anatomy of Guitar Tone: Compressors in Series for Slide Guitar
Tips for Using Compressors for Tone and Color in a Mix
The Basics of Attack Time on a Compressor
3 Ways to Use Compression to Manipulate Drums in a Mix
How to Use Compression to Increase Perceived Intensity
Compression Basics: 1176 into LA-2A on Vocals + CL 1B on Keyboards
A Brief History of Audio Compression
An Introduction to Audio Compression Explained
Tips for Using Serial Compression in a Mix
Tips for Using Sidechain Compression in a Mix
Empirical Labs Arouser: Saturation Characteristics
Empirical Labs Arouser: Attack and Release Characteristics
Full Breakdown of David Glenn’s Stereo Buss
Anatomy of Guitar Tone: Swell Compression
Tips for Mixing with Multi-Buss Processing feat. UAD EL7 FATSO
How to Get an Intimate Mix with Dynamics Processing on the Stereo Buss
How to Get a Crushed Drum Sound with EQ and Compression
Tips for Crushing Mono Overheads in a Drum Mix
How to Set Attack and Release on a Compressor
Analyzing Effects: Compression (Part 2)
Analyzing Effects: Compression Plugins
How to Set Up Mix Buss Compression
Tips for Mixing Drums with Parallel Processing
Stereo Buss Compression — Why I Do It
How to Set Up Buss Compression w/ Sidechain for Multiple Submixes
Making Convolution Reverb Flexible w/ Multiband & Stereo Processing
Mixing Toms with Multiband Compression, EQ, Alloy 2 and Studer A800
SSL Buss Compressor: Hardware vs Software (Waves G-Channel)
How to Mix Bass and Kick with Multiband Sidechain Compression
The Basics of Audio Compression
How to Set Up EDM-style Sidechain Compression
How to Use C1 Compressor to De-Ess Distorted Guitar