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Latest Posts from Eric Tarr
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5 Effective Ways to Use Compression in a Mix
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How to Simulate Guitar Cabinets with Impulse Responses
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Making Convolution Reverb Flexible w/ Multiband & Stereo Processing
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Automating Multiple Reverbs and Feeding Short Reverb Into Long Reverb
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How to Create a Pad Effect off Guitar Reverb with SoundToys Plugins
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Phasing vs Flanging: Technical Breakdown (Part 2)
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Phasing vs Flanging: What’s the Difference? (Part 1)
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Mixing BFD3 Drums with iZotope Alloy 2 on the Drum Buss
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5 Mistakes New Audio Engineers Make
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Mixing BFD3 Drums in Pro Tools with iZotope Alloy 2
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How to Set up BFD3 in Pro Tools with Multiple Outputs for Mixing
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Eric Tarr’s Top 10 Favorite Plugins
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How to Mix Piano for Pop/Rock
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How to Analyze Plugins with Waves Q-Clone and Q-Capture
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Intro to Frequency Analysis with iZotope Ozone 5
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The Basics of Audio Compression
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Mixing with Waves SSL G-Channel and E-Channel Plugins
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Pro Tools Tips: Memory Locations and Zoom Presets
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Tips for Vocal Comping with Pro Tools Playlists
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Tips for Mixing with Multiband Expansion
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How to Set Up EDM-style Sidechain Compression
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How to Use C1 Compressor to De-Ess Distorted Guitar
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How to Tame a Harsh Distorted Electric Guitar
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Audio Signal Phase 101
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How to Mix Low End (MaxxBass, H-EQ, NLS)
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3 Ways to Use a Gate for Punchy Drums
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Reverb Comparison: Convolution vs Algorithmic (Waves IR-L vs TrueVerb)
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Convolution vs Algorithmic Reverb
![](https://theproaudiofiles.com/wp-content/uploads/2012/03/eric.jpg)
How to Use Buss, Parallel and Sidechain Compression for Mixing Drums
![](https://theproaudiofiles.com/wp-content/uploads/2012/03/eric.jpg)
How to Use Softube FET Compressor for Mixing Drums
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Mixing with Waves SSL G-Channel Strip Plugin
![](https://theproaudiofiles.com/wp-content/uploads/2012/03/eric.jpg)
How to Set Up Multiple Outputs for Virtual Instruments
![](https://theproaudiofiles.com/wp-content/uploads/2012/03/eric.jpg)
Mixing with Waves E-Channel Plugin
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