Latest Posts from Eric Tarr
5 Effective Ways to Use Compression in a Mix
How to Simulate Guitar Cabinets with Impulse Responses
Making Convolution Reverb Flexible w/ Multiband & Stereo Processing
Automating Multiple Reverbs and Feeding Short Reverb Into Long Reverb
How to Create a Pad Effect off Guitar Reverb with SoundToys Plugins
Phasing vs Flanging: Technical Breakdown (Part 2)
Phasing vs Flanging: What’s the Difference? (Part 1)
Mixing BFD3 Drums with iZotope Alloy 2 on the Drum Buss
5 Mistakes New Audio Engineers Make
Mixing BFD3 Drums in Pro Tools with iZotope Alloy 2
How to Set up BFD3 in Pro Tools with Multiple Outputs for Mixing
Eric Tarr’s Top 10 Favorite Plugins
How to Mix Piano for Pop/Rock
How to Analyze Plugins with Waves Q-Clone and Q-Capture
Intro to Frequency Analysis with iZotope Ozone 5
The Basics of Audio Compression
Mixing with Waves SSL G-Channel and E-Channel Plugins
Pro Tools Tips: Memory Locations and Zoom Presets
Tips for Vocal Comping with Pro Tools Playlists
Tips for Mixing with Multiband Expansion
How to Set Up EDM-style Sidechain Compression
How to Use C1 Compressor to De-Ess Distorted Guitar
How to Tame a Harsh Distorted Electric Guitar
Audio Signal Phase 101
How to Mix Low End (MaxxBass, H-EQ, NLS)
3 Ways to Use a Gate for Punchy Drums
Reverb Comparison: Convolution vs Algorithmic (Waves IR-L vs TrueVerb)
Convolution vs Algorithmic Reverb
How to Use Buss, Parallel and Sidechain Compression for Mixing Drums
How to Use Softube FET Compressor for Mixing Drums
Mixing with Waves SSL G-Channel Strip Plugin
How to Set Up Multiple Outputs for Virtual Instruments
Mixing with Waves E-Channel Plugin