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Latest Posts from Ian Vargo
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5 Tips for Getting a Job in the Audio Industry
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A Guide to the Different Roles in Audio Post-Production
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5 Things I Miss About My First Tape Recorder
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6 Things You Shouldn’t Be Afraid to Do in a Mix
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The A-Z of Sonic Quality in a Mix
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Ian Vargo’s Favorite Plugins (Updated: 2019)
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FabFilter Pro-L 2: New Features, Audio Demo & More
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5 Trends We’ll See In “The DAW of the Future”
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UAD Empirical Labs EL8 Distressor on Drums, Bass, Vocals & More
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Soundtoys Little Plate on Vocals and Synths in a Mix
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iZotope Ozone 8 — New Features, Master Assistant and More
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How to Tame Harshness in a Mix with oeksound soothe
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How to Create an 80’s Electric Guitar Vibe
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Mastering in 2017 — Where Do We Go From Here?
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5 Common Mistakes to Avoid for Mastering in the Box
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5 Free Plugins for Mastering in the Box
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8 Exciter and Saturation Plugins for Mastering
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8 Great Compressor Plugins for Mastering
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7 Awesome EQ Plugins for Mastering
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5 Tips for Getting Better Sounding Masters
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New UAD Plugins: Moog Multimode Filters + OTO BISCUIT + bx_subsynth
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5 Tips for a Better Sense of Space in Your Mixes
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5 Secret Weapons for Your Mix Buss (Hardware)
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How to Use Ableton Live as a Virtual Instrument in Pro Tools
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Using Compression for Spatial Clarity + Mix Buss Compression for Intimacy
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Tips for Using Compressors for Tone and Color in a Mix
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3 Ways to Use Compression to Manipulate Drums in a Mix
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How to Use Compression to Increase Perceived Intensity
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Compression Basics: 1176 into LA-2A on Vocals + CL 1B on Keyboards
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5 Things to Listen for When Using Compression
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Plugin Profile: UAD Fender ’55 Tweed Deluxe
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Plugin Profiles: UAD Neve 1073 Preamp & EQ + AKG BX 20 Spring Reverb
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Plugin Profiles: API Vision Channel Strip + dbx 160 Compressor/Limiter
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4 Ways to Make Your Mix Engineer Happy
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5 Pro Tools Features I Never Take for Granted
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A Brief History of the Vocoder
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5 Tips for Better High End in a Mix
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5 Essential Timesaving Pro Tools Shortcuts
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