Latest Posts from Ian Vargo
Interview with Score Mixer Phil McGowan
iZotope VocalSynth 2: Vocoder, FX & More
How to Make Your MIDI Sound Less like MIDI
How Yanny vs. Laurel Reveals Flaws in How We Listen to Audio
Why Ableton Live is a Superior DAW for Music Production
5 Saturation Plugins for Mixing Vocals (+ Mix Tips)
Interview with Emmy-Winning Sound Effects Editor Dan Kenyon
6 Essential Tips for Using Reference Tracks
Hans Zimmer Strings
5 Delay Plugins for Mixing Vocals (+ Mix Tips)
5 Compressor Plugins for Mixing Vocals (+ Mix Tips)
7 Channel Strip Plugins for Mixing Vocals (+ Mix Tips)
5 EQ Plugins for Mixing Vocals (+ Mix Tips)
Tips for Creating a Perfect Resume for Audio Industry Jobs
How to Craft a Perfect Cover Letter for Audio Industry Jobs
5 Tips for Getting a Job in the Audio Industry
A Guide to the Different Roles in Audio Post-Production
5 Things I Miss About My First Tape Recorder
6 Things You Shouldn’t Be Afraid to Do in a Mix
The A-Z of Sonic Quality in a Mix
Ian Vargo’s Favorite Plugins (Updated: 2019)
FabFilter Pro-L 2: New Features, Audio Demo & More
5 Trends We’ll See In “The DAW of the Future”
UAD Empirical Labs EL8 Distressor on Drums, Bass, Vocals & More
Soundtoys Little Plate on Vocals and Synths in a Mix
iZotope Ozone 8 — New Features, Master Assistant and More
How to Tame Harshness in a Mix with oeksound soothe
How to Create an 80’s Electric Guitar Vibe
Mastering in 2017 — Where Do We Go From Here?
5 Common Mistakes to Avoid for Mastering in the Box
Introducing: Mastering in The Box Expansion Pack
5 Free Plugins for Mastering in the Box
8 Exciter and Saturation Plugins for Mastering
8 Great Compressor Plugins for Mastering
7 Awesome EQ Plugins for Mastering
6 Essential Limiter Plugins for Mastering
5 Tips for Getting Better Sounding Masters
New UAD Plugins: Moog Multimode Filters + OTO BISCUIT + bx_subsynth