Latest Posts from Philip Mantione
The Fundamentals of Amplitude and Loudness
New Plugins from Isotonik Studios & Glitchmachines
MPE: The New MIDI Protocol and the Roli BLOCK
Review: Spitfire Chamber Strings
Orb Composer by Hexachords: Composing with AI [Review]
11 Tips for a Successful Career in the Music Industry
String Articulations: Terminology and Effects
10 Great String Libraries for Your Sample Collection
How to Record Tempo Changes On-The-Fly in Logic Pro
16 Great Sound Design Tools for Music Production
Review: Dronar by Gothic Instruments
Review: Master Sessions Suite by Heavyocity
Review: Collision FX by Sound Yeti
Review: Vital Series: Sticks and Mallets by Vir2
Ableton Live 10 — What’s New?
The Fundamentals of Sampling Instruments and Libraries
Review: Noiiz.com — A Music Production Platform
Interview with Andrew Ostler: Developer & Founder of Expert Sleepers
8 Things Considered at NAMM 2018
Review: Analog Strings by Output
Review: Ensemblia 2 Percussive by Cinematique Instruments
Review: ULTRAKICK — Kick Drum Synth
Interview with Simon Stockhausen — Composer, Performer & Sound Designer
Review: Sonarworks Reference 4 Studio Edition
Review: Morphestra 2 by Sample Logic
Interview with Alessio Santini, Developer and Founder of K-Devices
Review: Thorn Synthesizer from DS Audio
Jam Origin’s MIDI Guitar 2 for Live Performance
The Fundamentals of Waveform Editing
The Basics of Wavetable Synthesis
The Basics of Additive Synthesis
The What, Why and How of Modular Synthesis
Plugin Review: soothe by oeksound
Analog, Tubes, Vinyl and the Future of Retro
Adaptiverb: An Innovative Approach to Reverberation
A Guide to Synth Modulation Sources and Controls
The Benefits of Self-Imposed Limitations
An Overview of the FabFilter Twin 2 Subtractive Synth