
3 Overused Vocal Production Techniques (That Aren’t as Cool as You Think)

The Basics of Frame Rates in Audio Post Production

49 Glitch-Inducing Plugins & the Search for Error

4 Tips For Doubling Instruments (+ 3 Pitfalls To Avoid)

5 Ways to Create New & Unique Sounds for Your Productions

The Basics of Step Sequencing (+ 9 Great Step Sequencers)

5 Common Drum Programming Mistakes

4 Ways to Use Silence to Enhance Your Productions

Percussion: The Unsung Hero Of Groove

6 Great Vocoder Plugins (+ What is a Vocoder)

Review: LYRA-8 & the PIPE by SOMA Laboratories (+ Interview)

The Complete Guide to Choosing a MIDI Controller

13 Plugins for Getting an 80s Vibe (+ Production & Mix Tips)

How to Mix Reggaeton

Orchestrating Synths: Layering, Stacking and Blending

Review: PLUS and PLASMA Pedals by Gamechanger Audio

The Fundamentals of Designing Sound to Picture

The Fundamentals of Physical Modeling Synthesis

The Fundamentals of Phase Distortion Synthesis

The Anatomy of Mick Ronson’s Guitar Tone

Synth Expo LA 2018 (+ Interview with Paolo De Gregorio)

10 Great Brass Sample Libraries

Tips for Creatively Using Auto-Tune on Vocals

The Fundamentals of Subtractive Synthesis

The Fundamentals of AM Synthesis

8 Tips for Building Synth Sounds from Scratch

18 Synth Parameters That Are Often Misunderstood

Factorsynth: A New Max for Live Device by JJ Burred

The Complete Guide to Vocal Production

12 Sampling Instruments That Morph and Layer Multiple Sources

9 Unusual MIDI Controllers for Music Production

DAW Guide: Which Digital Audio Workstation Should You Choose?

18 Awesome Guitar Amp Simulator Plugins

4 Effective Ways to Use Tension in Your Productions

How to Make Your MIDI Sound Less like MIDI

Why Ableton Live is a Superior DAW for Music Production

Interview with Emmy-Winning Sound Effects Editor Dan Kenyon

5 Easy Steps for Getting a Monster Guitar Sound

10 Great String Libraries for Your Sample Collection
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