Latest Posts from Mark Marshall
Tips for Planning a Live Recording Session
13 Tips for Writing and Recording Cues for TV and Film
6 Tips for Using Loops to Speed Up Production
10 Essential Apps for the Recording Studio
Production Breakdown: Hodad from Mars by Mark Marshall
Production Breakdown: Willow Grove by Mark Marshall
Production Breakdown: The Scorpion by Mark Marshall
Anatomy of Guitar Tone: Fender Brownface Tremolo Trick
Anatomy of Guitar Tone: Phase Pedal Before Distortion Pedal
5 Essential Drum Loop Libraries for Music Production
Anatomy of Guitar Tone: Compressors in Series for Slide Guitar
Anatomy of a Guitar Tone: Phaser Before Overdrive
Tips and Tools for Programming Drums
Review: Fulltone OCD Overdrive Pedal
Anatomy of Guitar Tone: Tape Delay Preamp
Anatomy of Guitar Tone: Preamp Before Overdrive
The Great Guitar String Gauge Debate
Anatomy of Guitar Tone: Volume After Distortion
10 Tips for Getting a Better Slide Guitar Tone
Anatomy of Guitar Tone: PC-2A Tube Compressor after Overdrive
Anatomy of Guitar Tone: 9V vs 18V Power Supply for Overdrive Pedals
Anatomy of Guitar Tone: Fuzz + Overdrive
Anatomy of Guitar Tone: Dub/Reggae Style Delay Effects
Anatomy of Guitar Tone: Treble Boosters
Anatomy of Guitar Tone: Combining Vibrato And Tremolo
To Buffer or Not to Buffer, That Is the Loaded Question
3 Categories of Guitar Pedals for Recording Sessions
Anatomy of Guitar Tone: Swell Compression
9 Tips for Running a Successful Recording Studio
7 Tips for Getting Better Amp Simulator Tones
Time is Money: Deadlines, Templates, Schedules & More
7 Tips to Speed Up Commercial Recording Sessions
How to Trim the Fat on a Les Paul Guitar
Using Effects to Create a Dreamy Piano Sound
The Importance of Taking Notes on a Recording Session
Tips for Recreating a 1970’s Electric Guitar Tone
How to Stack Delays to Create a Lush Guitar Effect
7 Tips for Better Remote Recording Sessions