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Latest Posts from Mark Marshall
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7 Guitar Amps That Defined Music Eras
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20 Pitfalls to Avoid When Recording Electric Guitar
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11 Things to Do with Guitar and Reverb
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8 Things to Consider for Recording Acoustic Guitar
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Gain Effects 101: Overdrive, Fuzz, Distortion & More
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9 Mics for Recording Electric Guitar (+ Audio Examples)
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The Basics of Electric Guitar Pickups
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The Anatomy of Eric Clapton’s Guitar Tone
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The Complete Guide to DI Boxes for Recording and Live Performance
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The Anatomy of Mick Ronson’s Guitar Tone
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Guitar Modulation Effects [Producing & Recording Guitar Excerpt]
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The Complete Guide to Recording Electric Guitar
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The Importance of Headphones in a Studio
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Reamping, It’s What’s for Dinner
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Tips for Producing a Successful Band Record
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5 Tips for Getting Cleaner Guitar Tones from a UAD ’55 Tweed
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7 Essential Traits of a Great Record Producer
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What is the Cocked Wah Sound?
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Tips for Tagging Your Music, Samples, Presets & More
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7 Quick Music Production Tips for Logic Pro X
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Tips for Creating Textured Guitar Tones
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How to Enhance Logic’s Stock Instruments
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How to Create a Tone Palette for Your Song
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Tips for Organizing and Labeling in the Studio
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7 Tips for Getting Guitar Tones from the 70s and 80s
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7 Essential Traits of a Great Recording Studio
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A Few Music Production Pitfalls to Avoid
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3 Essential Traits of a Great Session Bassist
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Where Credit is Due
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The Myth of Being Unique
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How to Go Click-Free with Beat Mapping in Logic X
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Mark Marshall’s Best Audio Gear of 2016
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6 Essential Traits of a Great Session Drummer
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What’s in an Audio Plugin GUI?
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How to Get 1950s Guitar Tones in the Studio
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9 Essential Traits of a Great Session Guitarist
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Production Breakdown: Copperhead by Mark Marshall
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Production Breakdown: Dirt Magnet by Mark Marshall
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