Latest Posts from Mark Marshall
7 Guitar Amps That Defined Music Eras
20 Pitfalls to Avoid When Recording Electric Guitar
11 Things to Do with Guitar and Reverb
8 Things to Consider for Recording Acoustic Guitar
Gain Effects 101: Overdrive, Fuzz, Distortion & More
9 Mics for Recording Electric Guitar (+ Audio Examples)
The Basics of Electric Guitar Pickups
The Anatomy of Eric Clapton’s Guitar Tone
The Complete Guide to DI Boxes for Recording and Live Performance
The Anatomy of Mick Ronson’s Guitar Tone
Guitar Modulation Effects [Producing & Recording Guitar Excerpt]
The Complete Guide to Recording Electric Guitar
The Importance of Headphones in a Studio
Reamping, It’s What’s for Dinner
Tips for Producing a Successful Band Record
5 Tips for Getting Cleaner Guitar Tones from a UAD ’55 Tweed
7 Essential Traits of a Great Record Producer
What is the Cocked Wah Sound?
Tips for Tagging Your Music, Samples, Presets & More
7 Quick Music Production Tips for Logic Pro X
Tips for Creating Textured Guitar Tones
How to Enhance Logic’s Stock Instruments
How to Create a Tone Palette for Your Song
Tips for Organizing and Labeling in the Studio
7 Tips for Getting Guitar Tones from the 70s and 80s
7 Essential Traits of a Great Recording Studio
A Few Music Production Pitfalls to Avoid
3 Essential Traits of a Great Session Bassist
Where Credit is Due
The Myth of Being Unique
How to Go Click-Free with Beat Mapping in Logic X
Mark Marshall’s Best Audio Gear of 2016
6 Essential Traits of a Great Session Drummer
What’s in an Audio Plugin GUI?
How to Get 1950s Guitar Tones in the Studio
9 Essential Traits of a Great Session Guitarist
Production Breakdown: Copperhead by Mark Marshall
Production Breakdown: Dirt Magnet by Mark Marshall