Pro Audio Files

6 Dirt Cheap Plugins That Destroy Their Competitors

When it comes to the world of music products, the advent of software signal processing that plugs in to a host DAW has effectively leveled the playing field.

Even the more expensive products like iZotope’s Ozone 7 Advanced (which checks in at around $500) is a steal compared to what the equivalent in hardware gear would run.

Of course, not everyone has $500 laying around, so more budget friendly purchases may be in order.

The issue is that it’s difficult to find things that are both high quality and cheap. Fortunately, if you look hard, enough you can find a few items that are not only priced super low, but sound ridiculously good.

1. Klanghelm MJUC

The MJUC is a three-in-one compressor. The tone on all three is incredible, there’s a style of compressor for any purpose, and it’s only $30.

As a general tool, it’s great for thickening something up both dynamically and tonally — but it’s also a very flexible tool overall.

I could probably mix an entire record using only this compressor.

2. JST Transify

I’m generally a fan of the JST plugins. Everything they make sounds excellent. But there is one plugin that really stands out — and that’s Transify.

Weighing in at $65, this will be the most expensive plugin on the list, but it’s worth it. I use this plugin in some way on almost every mix.

It’s a multiband transient designer, which by name sounds like it should be mainly useless and just marketing hype — but it’s not. It’s by far the best tool in my arsenal for adding/removing attack or sustain to any element.

In spite of the fact that I had a falling out with Joey, I would be remiss to not put this one on the list.

3. Xfer LFO Tool

LFO Tool is a multi-purpose automation plugin. It allows you to draw simple to complex automation shapes and use that shape to trigger things like pan, volume or filters — and then set the recycling speed as well. This is super convenient for sequenced automation.

The obvious use is EDM style records, but I find I will use it to help emphasize the down beat in Rock records, or create a dynamic groove to a hi-hat sequence in Pop or Hip-Hop.

It makes doing complex automation quick and easy. Easily worth the $50 price tag.

4. Klanghelm SDRR

Klanghelm has made the list again.

The SDRR is marketed as a saturator, but its range of effects really runs the whole gamut of saturation, exciter, and distortion. It can be edgy, it can be smooth, it can do dirt and grit, but it can also do glowy second harmonics.

It’s a really great finishing tool to just bring a sound home.

I use it on synths and bass very frequently. Awesome for making 808 kicks pop too. And like the MJUC, it’s in the $30 camp.

5. Elysia Niveau Filter

The Niveau Filter is what has sometimes been called a “tilt” EQ. It’s basically a low shelf and a high shelf that share the same corner frequency, and as it’s adjusted, the high and low move in opposite directions. So as you make something brighter, it simultaneously becomes less bassy, and vice versa.

While it sounds like a nuanced tool it’s actually very practical and I use it a lot.

The common source is anything recorded acoustically. Before doing any micro-managerial EQ, I find the Niveau can get the sound living basically in the ballpark of where it needs to be with a couple of quick adjustments.

The actual filter itself sounds very good — no hesitance to use it on a lead vocal. And: it’s FREE!

6.  Valhalla Vintage Verb

I literally just downloaded the demo for this yesterday. So I’ve only tried it out on two records. I have to say I am exceedingly impressed.

It’s another 3-in-1 — well, really it’s just differences in the modulation and sampling. But all three of them are very useful depending on what you are trying to do.

All the algorithms sound great. At $50, I’d be surprised if I ultimately decided it isn’t worth it.

Conclusion

Now, this list is just what I use. There are a ton of inexpensive plugins (and free ones as well), especially in the VST platform.

What’s your favorite dirt-cheap plugin? Let us know in the comments below!

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Matthew Weiss

Matthew Weiss

Matthew Weiss is a Grammy nominated and Spellemann Award winning audio engineer from Philadelphia. Matthew has mixed songs for Snoop, Sonny Digital, Gorilla Zoe, Uri Caine, Dizzee Rascal, Arrested Development, 9th Wonder, !llmind & more. Get in touch: Weiss-Sound.com.

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  • Tarby

    To be honest I’m a big fan of the Reaper stock compressor – sounds good, gets the job done hella well and hella easily. Not a big fan of reaper itself but you can download all of those plugins off their website. Also the Klangheim DC1A

  • onerob

    Tokyo Dawn Labs are great. Nova is a fantastically clean eq and Kotelnikov is a very transparent mastering compressor.

  • Ozone is a great software for beginners.

  • Tom McCaffrey

    Just got IIEQ Pro from DDMF for $39.00. Very clean sounding EQ with a very clear top end and lots of options.

  • Matthew David

    DDMF 6144, VOS Density MKIII, and multiple plugins from Toneboosters and Stillwell also make my list.

  • Dave Bode

    Limiter no.6 is the bees knees. I second Toneboosters being good stuff. ReaPlugs are outstanding. Basic GUI, supreme flexibility.

  • Huub Notermans

    Hi Matthew, another free indispensable plugin for me is the Flux Stereotool. Great for balancing sounds in the stereofield. A lot of drumloops, synths and so are just too wide. I “lock them in” with the stereotool.
    Greetings, Huub

  • Karl Thunderaxe

    variety of sound (bootsy) and tokyo dawn records plugins are free and incredible, they’re my go-tos for almost everything.

  • Very impressed that you shared the Transify plugin even though you had that falling out with the author. (AND it’s on sale for $49!!) There’s a colleague with whom I have a similar relationship: LOVE his work and promote it regularly, but can’t stand him! LOL props, bro

  • Jorge Araujo

    totally agreed

  • Voxengo Marquis compressor/Voxengo Elephant 👍 LFO tool is also amazing and the price is just right.

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