


The Fundamentals of Physical Modeling Synthesis

The Fundamentals of Phase Distortion Synthesis

Synth Expo LA 2018 (+ Interview with Paolo De Gregorio)

The Fundamentals of Subtractive Synthesis

11 Free Synth Plugins for Your Collection

The Fundamentals of AM Synthesis

8 Tips for Building Synth Sounds from Scratch

18 Synth Parameters That Are Often Misunderstood

Review: Zebra 2.8 — The Workhorse Synth from u-he

Factorsynth: A New Max for Live Device by JJ Burred

Creating Creature Voices with VocalSynth 2

Tutorial: Using VocalSynth 2 in a Rock Song

Tutorial: Using VocalSynth 2 in a Hip Hop Song

Tutorial: Using VocalSynth 2 in a Pop Song

iZotope VocalSynth 2: Vocoder, FX & More

Review: ULTRAKICK — Kick Drum Synth

Review: Thorn Synthesizer from DS Audio

Soundtoys Little Plate on Vocals and Synths in a Mix

The Basics of Wavetable Synthesis

The Basics of Additive Synthesis

Taking Synth Presets One Step Further

The What, Why and How of Modular Synthesis

A Guide to Synth Modulation Sources and Controls

An Overview of the FabFilter Twin 2 Subtractive Synth

The Basics of Synth Envelope Parameters, Functions and Uses

Logic Pro X Sculpture Synth: LFOs, Vibrato, Jitter & More [Course Excerpt]

New Course: Synthesis 101

Introduction to Granular Synthesis

10 Must-Have iOS Synth Apps for Music Production

New Course: Synthesis 101 with Phil Mantione

Introduction to FM Synthesis

Add Dirt to Your Synths and Drums with Trash 2 & Mobius Filter

Transform your Vocals with VocalSynth and DDLY

New UAD Plugins: Moog Multimode Filters + OTO BISCUIT + bx_subsynth

Mixing Pop/Rock: Guitars, Synths, Keys

How to Create a Vocoder Effect with iZotope VocalSynth

iZotope VocalSynth: Basic Processing Effects (Part 3)

iZotope VocalSynth: Creating Vocal Harmonies (Part 2)

iZotope VocalSynth: Pitch Correction and Presets (Part 1)
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