5 Tips for Making Great Synth Pads (+ 12 Great Plugins)
14 Free Synth Plugins for Your Collection
The Basics of Sound Synthesis
21 DIY Kit Sources for Pro Audio, Synth Modules & Instruments
Orchestrating Synths: Layering, Stacking and Blending
The Fundamentals of Physical Modeling Synthesis
The Fundamentals of Phase Distortion Synthesis
Synth Expo LA 2018 (+ Interview with Paolo De Gregorio)
The Fundamentals of Subtractive Synthesis
The Fundamentals of AM Synthesis
8 Tips for Building Synth Sounds from Scratch
18 Synth Parameters That Are Often Misunderstood
Review: Zebra 2.8 — The Workhorse Synth from u-he
Factorsynth: A New Max for Live Device by JJ Burred
Tutorial: Using VocalSynth 2 in a Pop Song
Review: ULTRAKICK — Kick Drum Synth
Review: Thorn Synthesizer from DS Audio
Soundtoys Little Plate on Vocals and Synths in a Mix
The Basics of Wavetable Synthesis
The Basics of Additive Synthesis
Taking Synth Presets One Step Further
The What, Why and How of Modular Synthesis
A Guide to Synth Modulation Sources and Controls
An Overview of the FabFilter Twin 2 Subtractive Synth
The Basics of Synth Envelope Parameters, Functions and Uses
Logic Pro X Sculpture Synth: LFOs, Vibrato, Jitter & More [Course Excerpt]
New Course: Synthesis 101
Introduction to Granular Synthesis
9 Must-Have iOS Synth Apps for Music Production
Introduction to FM Synthesis
New UAD Plugins: Moog Multimode Filters + OTO BISCUIT + bx_subsynth
iZotope VocalSynth: Basic Processing Effects (Part 3)
iZotope VocalSynth: Creating Vocal Harmonies (Part 2)
iZotope VocalSynth: Pitch Correction and Presets (Part 1)
Tips for Adding Excitement to Synth Pads with Tremolo Pan
5 Ways to Use a Gate for Synth and Vocal Effects
How to Create a Synth out of Guitar with EQ, Tremolo, FilterFreak & More
Mixing Synth Guitar with EQ, Amp Simulators and Delay
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