The Fundamentals of Physical Modeling Synthesis
The Fundamentals of Phase Distortion Synthesis
Synth Expo LA 2018 (+ Interview with Paolo De Gregorio)
The Fundamentals of Subtractive Synthesis
11 Free Synth Plugins for Your Collection
The Fundamentals of AM Synthesis
8 Tips for Building Synth Sounds from Scratch
18 Synth Parameters That Are Often Misunderstood
Review: Zebra 2.8 — The Workhorse Synth from u-he
Factorsynth: A New Max for Live Device by JJ Burred
Creating Creature Voices with VocalSynth 2
Tutorial: Using VocalSynth 2 in a Rock Song
Tutorial: Using VocalSynth 2 in a Hip Hop Song
Tutorial: Using VocalSynth 2 in a Pop Song
iZotope VocalSynth 2: Vocoder, FX & More
Review: ULTRAKICK — Kick Drum Synth
Review: Thorn Synthesizer from DS Audio
Soundtoys Little Plate on Vocals and Synths in a Mix
The Basics of Wavetable Synthesis
The Basics of Additive Synthesis
Taking Synth Presets One Step Further
The What, Why and How of Modular Synthesis
A Guide to Synth Modulation Sources and Controls
An Overview of the FabFilter Twin 2 Subtractive Synth
The Basics of Synth Envelope Parameters, Functions and Uses
Logic Pro X Sculpture Synth: LFOs, Vibrato, Jitter & More [Course Excerpt]
New Course: Synthesis 101
Introduction to Granular Synthesis
10 Must-Have iOS Synth Apps for Music Production
New Course: Synthesis 101 with Phil Mantione
Introduction to FM Synthesis
Add Dirt to Your Synths and Drums with Trash 2 & Mobius Filter
Transform your Vocals with VocalSynth and DDLY
New UAD Plugins: Moog Multimode Filters + OTO BISCUIT + bx_subsynth
Mixing Pop/Rock: Guitars, Synths, Keys
How to Create a Vocoder Effect with iZotope VocalSynth
iZotope VocalSynth: Basic Processing Effects (Part 3)
iZotope VocalSynth: Creating Vocal Harmonies (Part 2)
iZotope VocalSynth: Pitch Correction and Presets (Part 1)
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