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	<title>The Pro Audio Files</title>
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	<link>http://theproaudiofiles.com</link>
	<description>The Pro Audio Files &#124; Recording, Mixing and Production Blog</description>
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		<title>Four Unique Features of Ableton Live</title>
		<link>http://theproaudiofiles.com/ableton-live/</link>
		<comments>http://theproaudiofiles.com/ableton-live/#comments</comments>
		<pubDate>Tue, 18 Jun 2013 17:49:30 +0000</pubDate>
		<dc:creator>Christian Flanders</dc:creator>
				<category><![CDATA[Production]]></category>
		<category><![CDATA[ableton]]></category>
		<category><![CDATA[audio-to-midi]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[key]]></category>
		<category><![CDATA[live]]></category>
		<category><![CDATA[max]]></category>
		<category><![CDATA[MIDI]]></category>
		<category><![CDATA[msp]]></category>
		<category><![CDATA[racks]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=12066</guid>
		<description><![CDATA[An article about four features and workflows unique to Ableton Live.]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Big Picture: Don&#8217;t Sprint The Track</title>
		<link>http://theproaudiofiles.com/tracking-plan/</link>
		<comments>http://theproaudiofiles.com/tracking-plan/#comments</comments>
		<pubDate>Mon, 17 Jun 2013 18:46:43 +0000</pubDate>
		<dc:creator>Mike Moschetto</dc:creator>
				<category><![CDATA[Recording]]></category>
		<category><![CDATA[client]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[prepare]]></category>
		<category><![CDATA[project]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=12036</guid>
		<description><![CDATA[How to keep your mind on the big picture when working on a new recording project.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>45 Marketing Tips for Audio Professionals</title>
		<link>http://theproaudiofiles.com/marketing/</link>
		<comments>http://theproaudiofiles.com/marketing/#comments</comments>
		<pubDate>Thu, 13 Jun 2013 20:36:38 +0000</pubDate>
		<dc:creator>Dan Comerchero</dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[brand]]></category>
		<category><![CDATA[branding]]></category>
		<category><![CDATA[client]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[facbeook]]></category>
		<category><![CDATA[foursquare]]></category>
		<category><![CDATA[instagram]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[networking]]></category>
		<category><![CDATA[professionalism]]></category>
		<category><![CDATA[twitter]]></category>
		<category><![CDATA[vine]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11586</guid>
		<description><![CDATA[A guide to marketing and branding for musicians and audio professionals.]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Rock What You Got</title>
		<link>http://theproaudiofiles.com/pride/</link>
		<comments>http://theproaudiofiles.com/pride/#comments</comments>
		<pubDate>Tue, 11 Jun 2013 20:33:14 +0000</pubDate>
		<dc:creator>Kim Lajoie</dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[advice]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[buy]]></category>
		<category><![CDATA[confidence]]></category>
		<category><![CDATA[equipment]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[pride]]></category>
		<category><![CDATA[workflow]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11889</guid>
		<description><![CDATA[An article about pride and why you should rock what you got.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>The Great Audio App Giveaway of 2013</title>
		<link>http://theproaudiofiles.com/audio-app-giveaway-2013/</link>
		<comments>http://theproaudiofiles.com/audio-app-giveaway-2013/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 18:56:49 +0000</pubDate>
		<dc:creator>Dan Comerchero</dc:creator>
				<category><![CDATA[Contest]]></category>
		<category><![CDATA[apps]]></category>
		<category><![CDATA[audiofile engineering]]></category>
		<category><![CDATA[contest]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[giveaway]]></category>
		<category><![CDATA[ios]]></category>
		<category><![CDATA[iphone]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11199</guid>
		<description><![CDATA[Win a bundle of Mac and iOS audio apps in our annual app giveaway.]]></description>
		<wfw:commentRss>http://theproaudiofiles.com/audio-app-giveaway-2013/feed/</wfw:commentRss>
		<slash:comments>45</slash:comments>
		</item>
		<item>
		<title>Mixing with Mastering in Mind: Tone</title>
		<link>http://theproaudiofiles.com/mixing-with-mastering-in-mind-tone/</link>
		<comments>http://theproaudiofiles.com/mixing-with-mastering-in-mind-tone/#comments</comments>
		<pubDate>Thu, 06 Jun 2013 17:31:58 +0000</pubDate>
		<dc:creator>Rob Schlette</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[sibilance]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11703</guid>
		<description><![CDATA[A few useful techniques for addressing tone during mixing, with mastering in mind.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>7 Effective Ways to Overcome Writer&#8217;s Block</title>
		<link>http://theproaudiofiles.com/writers-block/</link>
		<comments>http://theproaudiofiles.com/writers-block/#comments</comments>
		<pubDate>Tue, 04 Jun 2013 17:31:19 +0000</pubDate>
		<dc:creator>Christian Flanders</dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[creative]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[left right brain]]></category>
		<category><![CDATA[workflow]]></category>
		<category><![CDATA[writer's block]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11642</guid>
		<description><![CDATA[Seven tips to help you quickly overcome the dreaded and inevitable writer's block.]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>6 Steps For Your Best Mix Ever</title>
		<link>http://theproaudiofiles.com/best-mix-ever/</link>
		<comments>http://theproaudiofiles.com/best-mix-ever/#comments</comments>
		<pubDate>Mon, 03 Jun 2013 12:30:15 +0000</pubDate>
		<dc:creator>Matthew Weiss</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[arrangement]]></category>
		<category><![CDATA[associations]]></category>
		<category><![CDATA[contrast]]></category>
		<category><![CDATA[echo]]></category>
		<category><![CDATA[elements]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[feeling]]></category>
		<category><![CDATA[kick]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[variation]]></category>
		<category><![CDATA[vibe]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11612</guid>
		<description><![CDATA[Six guidelines to follow for getting a great mix in any context.]]></description>
		<wfw:commentRss>http://theproaudiofiles.com/best-mix-ever/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How Mick Guzauski Mixed Daft Punk</title>
		<link>http://theproaudiofiles.com/daft-punk-mixing/</link>
		<comments>http://theproaudiofiles.com/daft-punk-mixing/#comments</comments>
		<pubDate>Mon, 20 May 2013 05:52:58 +0000</pubDate>
		<dc:creator>Dan Comerchero</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[daft punk]]></category>
		<category><![CDATA[mick gizauski]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[nile rodgers]]></category>
		<category><![CDATA[pharell]]></category>
		<category><![CDATA[random access memories]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11432</guid>
		<description><![CDATA[Mick Guzauski walks you through how he mixed Daft Punk’s 'Random Access Memories' as well as classic albums by Mariah Carey and Eric Clapton.]]></description>
		<wfw:commentRss>http://theproaudiofiles.com/daft-punk-mixing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>3 Simple Steps for a Great Acoustic Guitar Sound</title>
		<link>http://theproaudiofiles.com/acoustic-guitar/</link>
		<comments>http://theproaudiofiles.com/acoustic-guitar/#comments</comments>
		<pubDate>Wed, 15 May 2013 15:44:43 +0000</pubDate>
		<dc:creator>Matthew Weiss</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[acoutic]]></category>
		<category><![CDATA[brighter]]></category>
		<category><![CDATA[di]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[pick]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[string]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11345</guid>
		<description><![CDATA[An article and video tutorial about how to get a great acoustic guitar sound.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Enhance Drums with Parallel Distortion</title>
		<link>http://theproaudiofiles.com/parallel-distortion-video/</link>
		<comments>http://theproaudiofiles.com/parallel-distortion-video/#comments</comments>
		<pubDate>Mon, 13 May 2013 16:42:45 +0000</pubDate>
		<dc:creator>Dan Comerchero</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[aux]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[group sends]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[outputs]]></category>
		<category><![CDATA[parallel distortion]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11297</guid>
		<description><![CDATA[Learn how to enhance your drums with parallel distortion using multiple outputs for group sends.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>7 Mixing Techniques That Can Get You in Trouble</title>
		<link>http://theproaudiofiles.com/7-advanced-mixing-techniques-that-can-get-you-in-trouble/</link>
		<comments>http://theproaudiofiles.com/7-advanced-mixing-techniques-that-can-get-you-in-trouble/#comments</comments>
		<pubDate>Tue, 07 May 2013 16:37:23 +0000</pubDate>
		<dc:creator>Matthew Weiss</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[clipping]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[group sends]]></category>
		<category><![CDATA[kicks]]></category>
		<category><![CDATA[limiting]]></category>
		<category><![CDATA[midrange]]></category>
		<category><![CDATA[overdrive]]></category>
		<category><![CDATA[room]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11246</guid>
		<description><![CDATA[Seven advanced mixing techniques that will take your sound up a notch or totally screw up your mix.]]></description>
		<wfw:commentRss>http://theproaudiofiles.com/7-advanced-mixing-techniques-that-can-get-you-in-trouble/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>How to Maximize the First Hour of Mixing</title>
		<link>http://theproaudiofiles.com/first-hour-of-mixing/</link>
		<comments>http://theproaudiofiles.com/first-hour-of-mixing/#comments</comments>
		<pubDate>Mon, 22 Apr 2013 17:00:06 +0000</pubDate>
		<dc:creator>Matthew Weiss</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[clean up]]></category>
		<category><![CDATA[first hour]]></category>
		<category><![CDATA[groove]]></category>
		<category><![CDATA[levels]]></category>
		<category><![CDATA[organize session]]></category>
		<category><![CDATA[rough mix]]></category>
		<category><![CDATA[save]]></category>
		<category><![CDATA[start]]></category>
		<category><![CDATA[where do i start]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11208</guid>
		<description><![CDATA[The first hour of your mix is crucial. Here's how to make the most of it.]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>How to Make 808s Hit HARD</title>
		<link>http://theproaudiofiles.com/808/</link>
		<comments>http://theproaudiofiles.com/808/#comments</comments>
		<pubDate>Wed, 10 Apr 2013 17:18:53 +0000</pubDate>
		<dc:creator>Matthew Weiss</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[808]]></category>
		<category><![CDATA[bang]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[bit-crushing]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[enhancers]]></category>
		<category><![CDATA[hard]]></category>
		<category><![CDATA[hip-hop]]></category>
		<category><![CDATA[hit]]></category>
		<category><![CDATA[kick]]></category>
		<category><![CDATA[layers]]></category>
		<category><![CDATA[multiband compression]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[saturation]]></category>
		<category><![CDATA[trap]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=11053</guid>
		<description><![CDATA[Seven ways to mix 808s. Includes processing techniques, audio examples and a free sample pack.]]></description>
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		<slash:comments>6</slash:comments>
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		<title>Clariphonic Equalizer: Hardware vs Software</title>
		<link>http://theproaudiofiles.com/clariphonic-eq-hardware-vs-software/</link>
		<comments>http://theproaudiofiles.com/clariphonic-eq-hardware-vs-software/#comments</comments>
		<pubDate>Mon, 08 Apr 2013 17:46:11 +0000</pubDate>
		<dc:creator>Matthew Weiss</dc:creator>
				<category><![CDATA[Software]]></category>
		<category><![CDATA[clariphonic]]></category>
		<category><![CDATA[dsp]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[equalizer]]></category>
		<category><![CDATA[hardware]]></category>
		<category><![CDATA[in the box]]></category>
		<category><![CDATA[kush]]></category>
		<category><![CDATA[kush audio]]></category>
		<category><![CDATA[out of the box]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://theproaudiofiles.com/?p=10661</guid>
		<description><![CDATA[A comparison of the hardware and software versions of the Kush Audio Clariphonic EQ.]]></description>
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		<slash:comments>1</slash:comments>
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